The cold never bothered me anyway: Yuki Onna

In the spirit of the holidays, let’s talk about a monster that can leave you looking like Jack Torrance at the end of The Shining!   

Yuki Onna (which translates to “Snow Woman”) is a Japanese yokai that borders on the edge of being too popular to be featured on this blog. First written about during the Muromachi period (1333 – 1573), she has survived centuries to proliferate in movies, video games, and anime, even having her own TV Tropes page. There are as many versions of her tale as there are designs of a snowflake. Most nowadays cleave to a romantic, sorrowful, un-Monster-Meet-like interpretation of her, but it was not always that way.

Thin ice

Yuki Onna
Yuki Onna doin’ her thing and wearing clothes.

Different Japanese prefectures have different takes on Yuki Onna, but by and large, she was originally conceived of as either a harbinger of the changing seasons and/or a gifter of icy death.Travellers would spot something in the falling snow: a beautiful woman with translucent skin, black hair, blue lips, and turbulent, violet eyes. Leaving no tracks–sometimes having no feet at all–she would drift lightly a few inches above the snow. Though the wind might howl and the traveller’s eyelashes be crusted with ice, the woman would be wearing nothing more than a light kimono (and sometimes less than that). 

If you as a traveller were exceptionally stupid, you might persue this woman, whereupon she would lead you to your icy death (pro tip: never follow supernatural beings in the wilderness; they almost always lead you to your death. Especially if they’re trying to be all seductive.). Try to ignore her, and Yuki Onna might call to you. In certain prefectures, responding to her call would earn you a shove down a ravine your death. In others, not responding to her call would earn you a shove down a ravine to your death. 

Sometimes Yuki Onna would show up with a child in her arms (especially if there was one missing and their parents were out searching for them). Try to take the child, and it would become so heavy that you would be dragged down and die frozen in the snow. Refuse to take the child and you would be–have you guessed it?–shoved down a ravine to your death. Alternately, Yuki Onna might just eat you (if you looked her in her face), or suck out your vital energy (if you happened to live in a certain prefecture). 

When not frightening strangers in snowy passes, Yuki Onna could be found tricking her way in (or straight up busting in) to houses to freeze everyone inside. She’d also wander through villages demanding water (give her cold water, and she would bulge to a monstrous size; hot water, and she would disappear). There are several stories of her appearing on or around the New Year, which range from simply showing up in a ghostly, frightening manner to her stealing away children en masse to play in a field. 

In sum, Yuki Onna seems to have started out representing all of the cruelty of winter. It might even be said that she represented the cruelty of life, as Wikipedia puts it (with shocking poetry): “Old tales about yuki-onna are mostly stories of sorrow, and it is said that these tales started from when people who have lived gloomy lives, such as childless old couples or single men in mountain villages, would hear the sound of a blizzard knocking on their shutter door and fantasize that the thing that they longed for has come. It is said that after that, they would live in happiness with what they longed for in a fantasy as fleeting as snow.” 

Cold comfort

After the 18th century, Yuki Onna started reflecting a more romantic version of reality. Nowadays, she shows up less as a scantily clad woman who would brutally murder you and more as a scantily clad woman who maybe you could marry and be happy with for a while–at least until her identity is revealed. 

One story makes her out to be a moon princess, who long ago grew bored with her pampered life and so fell with the snow to the earth. Now she can’t get back, and so appears on winter nights with the full moon, longing to go home. (This seems much more romantic than, say, the version of Yuki Onna that eats child livers.) 

Yuki Onna reconstituted.

Another tells of tells of a man who married a beautiful woman who was pale as snow. The man loved to take long, hot baths at night, and was puzzled by his wife’s refusal to bathe as he did. Finally he badgered and cajoled her enough to try it, and when he looked in to see how she was doing, all that was left of her were a few icicle fragments in the water. 

The most popular tale comes from a Westerner retelling (probably with embellishments) a story he was told while collecting Japanese ghost stories around the turn of the 20th century. The tale describes two woodcutters–one older, the other younger–who were stranded in a hut during a blizzard. The younger man woke in the dead of night to find a pale woman standing over his friend. As he watched, she sucked the life out of the older man until he was nothing but a frost-covered corpse. The woman went to do the same to the younger man, but stopped at his handsomeness. She told him that she’d let him go, but that if he ever spoke to anyone–even his own mother–of what had happened, that she would find him and kill him.

The young man recovered from the trauma of the night, never saying a word of it. He met a pretty young woman on the road one winter, and ended up marrying her. They led a happy life, having a whopping ten children. Then, one fateful night, the man was watching his wife sew in the light of a paper lantern. Something about it reminded him of his terrible vision during the blizzard all those years ago. He finally got it off his chest, telling his wife every detail. She listened patiently until he was finished, and then turned on him, lips darkening, eyes black with rage. Only then did he recognize her as the woman from the hut. Yuki Onna raged against him, stopping short of killing him only for the sake of their children. Then she vanished in a gust of snow, never to be seen again. 

Snowglobe

So what’s the deal with legends of deadly women emerging from the snow? Yuki Onna is hardly unique in that regard–there are stories of snow women from all over the place

One interesting take involves “paradoxical disrobing”–the phenomenon where people with severe hypothermia suddenly feel very hot and start to take off their clothes. It could be that before that phenomenon was known, those that happened upon half-naked corpses in the snow drew their own conclusions about what had gone down. Other explanations include optical illusions brought on by temperature inversion, delirium from hypothermia, or just plain hyperactive imaginations during cold, dark storms. 

It makes sense for us to be afraid of winter. We may have forgotten just how much sense it makes, locked up inside our cozy homes drinking beverages with enough cholesterol to kill a horse, but it does. Stories like that of Yuki Onna help us remember if not the particulars, then the emotion behind them. 

Stay warm out there. 

If a ghostly snow lady called to you, would you answer, or pretend to be absorbed in your phone? Share your survival plan in the comments below. 

IMAGE CRED: Sawaki Suushi for thoughtful Yuki Onna and Brigham Young University for the smug Yuki Onna.

Just slap some spackle over it: Castle Houska and the gateway to Hell

About an hour outside of Prague, alone among thick forest, swamps, and mountains, there sits a 13th-century castle atop a sheer limestone cliff. The castle Houska (Hoe-skuh) has no outward-facing fortifications, and is guarded only by a lone statue of the saint Ludmila, now weathered and half-covered with moss. Houska cannot be reached by bus, and is too remote to bike to. The only way in is by car.

Castle Houska
Castle Houska.

Though the years have added new structures and purpose to Houska, its original, deeply odd shape remains. It must have taken an enormous amount of time and resources to erect that original structure, but when it was finished, there was little in it that made sense, and even less to encourage human habitation.  Houska was not positioned along any trade route, political line, or militarily strategic position. There was no water nearby. There was no kitchen. Some even claim that many of its windows were fake–stone frames that looked pretty from the outside, but let no light within. 

Most strangely of all, the castle had no fortifications of any kind. At least–it’s fortifications were not facing the outside. All instead turned within, aimed toward a chapel built over layers upon layers of heavy stone slabs. 

The walls of the chapel are thick. Unusual frescos stretch along them: Saint Michael the Archangel skewers a horned demon. A left-handed centaur aims her arrow at another woman’s throat. As the sun lowers down over the mountains, light disappearing off the altar, screams can be heard echoing from under the rock. 

The chapel.

Pit of despair

One of the great things about Houska is how far back its story goes. It could well be that humans inhabited (or avoided) its site since pre-recorded history. The stories that we can corroborate begin around AD 900, when a Slavic prince built a wooden castle there in honor of his beloved son. No sooner did people start to move in did a great crack split underneath of it, releasing unspeakable horrors that quickly left the castle abandoned and the surrounding countryside in terror. 

For 300 years, giant creatures with leathery wings stalked the sky, picking off livestock and travelers that got too close to the hole. Half-human, half-beast hybrids attacked people in the woods. Crops wilted and died. Any effort to investigate or seal off the hole was met with frustration at best. It was so deep that none could see its bottom; though the villagers tried to fill it with rocks, it simply swallowed them whole.

Come the mid-1200’s, one Duke Ottokar decided that something had to be done. The Duke set up a little experiment: prisoners condemned to death would be released from their sentence if they would agree to be lowered into this pit and report back on what was down there. The first man to go was a young, eager fellow. He held tight to his rope while the crowd watched the shadows of the pit swallow him. The rope went a little further down, then a little further. Then the screaming began. 

Ludmila trying to keep them demons at bay.

The man’s howls echoed in the hole, his rope trembling in the hands of the men desperately pulling him back up. By the time he reached the surface, it was too late. The man’s hair had gone completely white, skin withered and gray, eyes wild, speech hysterical and rambling. He blubbered about a terrible smell, screams in the dark, and then lapsed into incoherence. A few days later, he would die without offering the frightened people any more information. 

Some say that the Duke repeated experiment a few more times after that, with similar results. Others say that after seeing what happened to the first guy, no other prisoner volunteered for the job. Either way, if it wasn’t obvious before, it was now: The pit was clearly a gateway to Hell. It had to be covered up.

Down the rabbit hole

The Duke set his men about the long and expensive task of saving the countryside. First the pit was covered with tons of heavy slabs. Then they built  a chapel on top of that, with the hope that its symbolism and power would keep the demons permanently at bay. Around that chapel they erected a castle, all of its fortifications built inside out: it was not meant to keep invaders out, after all, but in. 

It was a great effort, but not entirely a success. To this day, disturbing visions plague Houska’s surrounding hillside: A horse (or man) runs full speed, their headless stump of a neck gushing blood. A woman in white peeks out of the castle walls. A group of shackled men shuffle forward, carrying dismembered body parts and cringing against attacks from a great black dog. 19th-century poet Karel Hynek Mácha spent the night and not only saw a disturbing funeral procession, but also had a prophetic dream of the year 2006. It’s not exactly a walk in the park. 

A shot of Houska’s interior.

Add to that the strange, sometimes evil things that keep happening there. Houska has been used variously as a hunting lodge (it is filled with an insane number of deer heads), a dumping ground, and a sanitorium. During the ugly Thirty Years’ War, a sadistic Swedish officer named Oronto took up residence in the castle, hoping that its power would boost his black magic. In a last, desperate effort to stop him, a party of hunters set out to shoot him down. They finally managed to get him through a window of the castle, but as he died, he called out for his black hen–presumably in an effort to work some spell to keep himself around for a while yet. While he didn’t survive, his spirit did, and haunts the castle still.

Then there were the Nazis. Houska was one of several castles that they holed up in during the war, where they stored thousands of confiscated books. It is said that they might have conducted human experiments within the castle walls. Certainly they would have tried to plumb its depths for knowledge of the occult–one of their increasingly desperate tactics to get any edge they could. We may never know; when the Allies defeated them, they burned all records, leaving only nasty memories (and a set of bikes) behind. 

Flip that castle

Has the bright light of modernity made the castle any happier of a place to be? Yes and no.

“Yes” in that there are no longer human experiments conducted there (so far as I know…). The castle is now open to the public and can be visited April through October. There are brightly lit, cheerfully decorated parts of it that would fit in in an episode of Gilmore Girls. These can be rented out for various personal, corporate, and artistic occasions–you can even have your wedding there

“No” in that weird stuff keeps happening. Car batteries won’t start. A wine glass floated several feet into the air in the middle of a conversation. A couple that was winding down in the hunting lodge one evening heard a loud thump.  Alarmed, they turned and were faced with two shadowy figures, which approached and started whispering about killing little girls.

Houska, ext.

But modern science and historical sleuthing can explain this stuff away, right? The visions could be the result of noxious gas leaking out of the crack in the limestone. The reason that Houska didn’t have the usual human accommodations or strategic positioning could be that it was built simply as an administrative building. 

The Astonishing Legends podcast (besides being a great resource for those who want to dig more into Houska in general) explores the gaps where these common explanations don’t quite make sense. Why would Duke Ottokar choose to build an administrative building over a giant hole in the ground? Houska is not situated over a volcano…any noxious gas that the initial crack might have produced should have dissipated over the centuries, right? And what kind of gas would it be, exactly, that would cause everyone to have the same types of visions over the years, that wouldn’t automatically kill anyone who got close enough, and that, instead of making people tired and dull, would make them active and fearful (like the poor sap that was first lowered into the pit)? 

My favorite myths are ones that can’t be fully dismissed. Houska is one of them. If nothing else, it is a bottomless pit of mystery, and will hopefully leave us guessing for years to come. 

Did you know that “Houska” means “braided bread roll” in Czech? Figure out the significance of that sh*t in the comments below.

IMAGE CRED: A big thank you to Ladislav Boháč for Houska in the hills; Scary Side of Earth for both the chapel and the chandelier; ŠJů (cs:ŠJů) for Ludmila; and ladabar for Houska’s exterior.

Ghosted by a ghost: the black monk of Pontefract

It was August, 1966. In an unassuming house at 30 East Drive, Pontefract, England, Sarah Scholes was watching her 15-year old grandson Philip Pritchard while his parents and sister were away for the holiday week. Though the weather was hot, the house was curiously cold. Then Philip walked into the living room and stopped: There was a fine white dust falling silently from chest-height all around the room. 

30 East Drive.

The pair were very confused. It would make more sense if the dust were drifting down from the ceiling (though not much more, as the house had been recently renovated). But appearing mid-air? Sarah called Philip’s aunt Marie over from where she lived across the street to get a second opinion. Marie did not know where the dust came from, either, but she knew it needed to get cleaned up. She went into the kitchen to get a rag, and slipped in a puddle of water that hadn’t been there a moment before. Grumbling to herself, she mopped the puddle up, only to have another appear. And another.

They called the water company. The water company couldn’t figure out where the puddles were coming from, either. Marie went home, and Sarah and Philip tried to move on with their lives. Then, around 7 o’clock, Philip’s startled cry came out of the kitchen.

“Grandma, it’s happening again!”

Loose leaf tea and sugar lay strewn all over the counter. The button on the tea dispenser clicked and then depressed, splashing steaming tea over the mess. Then it went down again. And again. And again, hissing, continuing to depress even as the water ran out, faster, and faster. “Stop!” Sarah cried. “Stop it!”

CRASH. Something in the hall. They stumbled over see what it was. The hall was empty, dark. The silence built, and then light clicked on, startling them both.

Rue Morgue notes that a typically agreed-upon definition of a poltergeist is trickster-like activity stemming from from psychokinesis (often perpetuated by a young person in distress). The poltergeist doesn’t seriously harm its victims, and quickly goes away with time or therapy. 

The things happening at 30 East Drive don’t fit that definition. For one, the presence there has shown itself on multiple occasions to not just be energy, but a tall figure robed in black. It has a tendency to come in full force and then fade away, but has persisted for over 50 years. Instead of coming from children, it attacks children. And it means people harm.  

Still, they call the Black Monk of Pontefract a poltergeist, anyway. The most violent poltergeist in Britain

Who you gonna call?

After that initial day of horror (which culminated in a violently rocking dresser and the two fleeing the house to sleep at a neighbor’s), the activity ceased for a full two years. Grandma probably  got tired of trying to convince the family that they hadn’t been seeing things; maybe she even managed to convince herself. 

A grandfather clock was one of the many objects hurled around.

But just as they started to relax, the ghost came back full force. Loud crashes became a part of daily life, as did objects (including a solid oak sideboard) flying through the air or disappearing and reappearing in odd places. Green foam burst out of the sink. An aunt got an entire carton of milk dumped over her head. The daughter of the family, Diane, was thrown out of bed, and, on a few occasions, would wake up on the floor with her mattress on top of her.

Things escalated from there. The disturbances became so common that the family gave the ghost a name: Fred. Though there were bad signs–attacks focused on Diane, family photos brutally slashed–the Pritchards refused to move out. It was their house, after all. 

Instead, they tried to force the ghost out with exorcisms. These were met with walls weeping with holy water, people getting slapped and shoved down the stairs, upside down crosses, and a pair of women’s fur gloves conducting the songs meant to drive Fred out. 

Then one night Mr. and Mrs. Pritchard woke to find a tall, dark figure hovering over their bed. He quickly disappeared, but later, other people started seeing him around the house, too, though they never saw his face. More people–the family and visitors alike–got pushed, slapped, scratched, bruised. Then Diane’s hair stood straight up, and she was dragged, screaming, up an entire flight of stairs. The incident left her badly traumatized, and with finger-shaped bruises on her throat.

And just like that, all supernatural activity cut off again. The ghost, it seemed, was over it.

Historical reenactments

A Cluniac monk, to help along your imagination.

But the living were not over the ghost. 10 years after Fred took his leave, Cluniac monk researcher Tom Cluniff happened to hear about what had gone on at 30 East Drive. He put the  pieces of the past together with the present. A 16th-century monk had been convicted for the rape and murder of an adolescent girl (in an uncomfortable twist, an adolescent girl about Diane’s age), and hanged just across the street from where the house now stands. 

Suddenly the black robes of the figure so many people had seen in the house (and around the neighborhood, by the way) made sense. Of course! Fred was a monk. And thus the moniker “Black Monk of Pontefract” was born, and the interest in the ghost renewed. 

One of the interested parties was director Pat Holden, a Pontefract native related by marriage to Jean Pritchard, matron of 30 East Drive. Holden was so excited about Cluniff’s findings–and what he’d heard about the haunting–that he decided to make a movie. 

Back in black

In 2012, Holden’s When the Lights Went Out captured both the idea of poltergeists as psychokinetic energy as well as the history of the Black Monk. Though the indie film garnered mixed reviews, it further reignited the imagination of the public, and, in so doing, reignited the haunting. 

Producer Bill Bungay discovered house was for sale, and bought it so that he could have his movie premier in style. He didn’t believe in the ghost, so even though his phone behaved oddly in the house and there were reports of strange lights and noises, he didn’t think much of it. He dismissed the warnings of the neighbors, who had seen Fred around again. He shrugged off the psychic who said during the premiere that she could see Fred watching them from his favorite place on the stairs. 

Then came one night when Bungay was outside 30 East Drive alone, locking up the gate after a day of documentary shooting. He put the plunger on the gate down and secured it (with difficulty) with a cinderblock. Then he turned to lock the door to the house. But his house key had disappeared from his pocket. He glanced uneasily over his shoulder, and found that the gate that he had just shut stood wide open. The hairs on the back of his neck stood on end.

Marbles are a common projectile.

Bungay has shown Fred more respect after that (though Fred often throws things at him, missing him by a hair). He now rents 30 East Drive to people curious about the haunting. This has resulted in a number of interesting photos, and 288 accounts of happenings at the house. Included in them is a story where the neighbors were visiting Bungay, and one of their granddaughters came into the room, taking a bite out of a polystyrene orange. Her grandmother quickly took it and scolded her, asking her where she’d even got it from. The girl replied innocently: “A man in black gave it to me.” 

You can browse the rest of the occurrences here. They range from your typical bangings and mutterings to reports such as the following:

“Asked sister in toilet “Are you alright” which she replied “Yes thank you” BUT at the exact same time she replied the WHOLE GROUP said “Wow, did you hear that!”? A man’s “HMM MMM” mocking sister’s reply.”

“Possible spirits of dogs photographed.”

There are also a few more serious ones:

“Arriving early the group knocked on the door of 30 East Drive on the off chance there was someone in but the house was locked and vacant. As the group turned and walked back down the path someone started loudly and aggressively banging on the window as if to get their attention. The group presumed someone was indeed inside and returned only to reconfirm that the house was still firmly locked and vacant, a fact later confirmed when the house was opened for the waiting group 30 mins later.”

“Group leader asked if ‘Fred’ wanted to “play”. Then a noise was heard on the landing so the group leader rushed to see and standing in the doorway off the small bedroom was a really tall black figure which moved into the room behind the door. Not thinking, the group leader walked straight into the shadow, an experience that affected him badly.”

Want to get in on the fun? 30 East Drive is available for rent today for £300-400 a night (free if you happen to be a theoretical physicist). If you’re not in the UK, don’t have that kind of cash, or don’t have the desire to spend the night in a place where the bed was recently flipped over and trashed at 3am, you can join the 30 East Drive Facebook group

Either way, I would hurry up and get involved before Fred ups and loses interest again. It’s only a matter of time. 

Flour, snow, talc, or cocaine? Free associate your thoughts about white powder in the comments below. 

IMAGE CRED: Mark Stevenson for the house photo; Twdk for the grandfather clock that is not THE grandfather clock (but it will do); F. A. Gasquet for less murder-y monk; James Petts for the marbles (again, not THE marbles, but hey).

Not someone to look up to: Mikoshi-nyūdō

This will by Monster Meet’s first post on a solidly Japanese monster, and I have to say: I have no idea how I haven’t written about one until now.  I love old Japanese monster mythology for the same reason that I love old Fae mythology: it is both magical and deeply creepy, and makes (to me) an unnerving intuitive sense.  

Take the name of this monster for example: mikoshi-nyūdō. Nyūdō (at least according to Wikipedia–if I have any readers fluent in Japanese, please help me out) translates to priest–specifically, a tonsured (read: the fancy haircut with the bald spot on top) Buddhist priest. Mikoshi means anticipation, expectation, and “looking over the top (of a fence).”

Is your skin prickling yet?

When met on a dark road (or a bridge or intersection), the mikoshi-nyūdō will at first appear to be a harmless priest or monk. If you’re lucky, you might get a couple of warning signs–the “wara wara” sound of whistling bamboo, the presence of a third eye, or sudden sprouting of hair.

mikoshi-nyūdō 1776
The priest’s expression may also be somewhat of a giveaway.

After that, there a set number of ways that the situation can play out. Almost none of them are good for you.

Scenario 1: The signature move

As you come closer to the mikoshi-nyūdō, his neck will stretch so that he reaches towering heights as fast as you can look up to watch him. Typically this will result in you (the victim) craning your own neck or falling back in shock, whereupon the mikoshi-nyūdō will lunge forward and rip out your exposed throat.

Congratulations! You have just become a stereotypical mikoshi-nyūdō victim.

Scenario 2: The staring contest

Say that you’re a more aggressive type (or are like me and would stupidly ooh and aah at the presence of a supernatural creature), and just stare at the mikoshi-nyūdō head-on.  Unfortunately for you, the mikoshi-nyūdō is much like a Lovecraftian Old One: You can’t look at him for any extended period without being struck dead with a fear. So whether you try to follow his towering eyes or just gape at his skeletal chest, you’re still lunch.

Scenario 3: Fly, you fools

mikoshi-nyūdō
“I’ve got the bamboo right here.”

Okay, so you can’t really look at the mikoshi-nyūdō without dying. Wouldn’t it make sense to say, walk around him? Pretend like he’s not there? Wrong again. The mikoshi-nyūdō will not like being ignored, and will run you through with a bamboo spear (or two, or several), and then maybe crush you into a pulp for good measure.

Whether you determine that that is better or worse than getting your throat ripped out is a personal choice.

Scenario 4: The attempt to GTFO

See the results of scenario 3.

Scenario 5: Grovelling

There’s a story about a merchant who was travelling late one night and suddenly felt unwell. He got off his horse to take a break, and then looked up and saw a figure standing a little way down the road. It was almost 13 feet tall, and its eyes shone like mirrors. The merchant hit the ground, trembling in fear, and the thing ran at him, jumped over him, and disappeared.

Badly shaken, the merchant made it to a nearby house and asked if there were strange things or ghosts around those parts.The family replied, “what, like a mikoshi-nyūdō?”

The merchant made it to his destination, but lost all appetite and fell ill with a fever. He died 13 days after the encounter.

So no, grovelling doesn’t work, either.

Scenario 6: Calling the bluff (or, the only thing that might actually work)

Mikoshi-nyūdō with cigarette
“Womp womp.”

The only real way to survive a mikoshi-nyūdō encounter is by calling the monster out. If you encounter a priest late at night and his neck starts to grow, look down, not up, and tell him “You lost! I anticipated your trick!” This is supposed to make the mikoshi-nyūdō so furious that he vanishes.

Other methods of pissing him off so much that he goes away include smoking tobacco (to show how not intimidated you are) and calculating its height by a margin (say, your thumb) before he can try to bamboozle you.

In conclusion…

What have we learned today? Meeting a mikoshi-nyūdō in the wild is not recommended. All in all, the best policy seems to be to cover and just yell “you lost!” at any priestly passerby.

Also maybe turtlenecks. The jury’s still out.

Happy new year! My resolution is to do more neck stretches. Share yours in the comments below.

Come here, you: Huggin’ Molly

Happy Thanksgiving to my American readers (and to anyone else who enjoys eating a lot and being appreciative generally)! For many of us, Thanksgiving is a time when we visit family and reminisce about decades past. Sometimes we even become something of the selves that we were in those years: Siblings rib on each other; younger generations roll their eyes at old-timer’s antics; and parents lecture their children about the dangers of the world, especially after dark.

As the nights get longer and colder, there’s a lot of dark to go around. This full moon, we’re going to visit a monster that is just as concerned with keeping you safe as the most paranoid of parents.

Welcome to Abbeville, land of free hugs

creepy street night
I.e. if the street looks something like this, hurry home.

Abbeville is a town in southeastern Alabama that’s been around for almost 200 years. For at least half of those, parents there have been warning their children that after sunset–especially on those nights that are the blackest and most quiet–it is not advisable to be caught out of home. The familiar warning carries a special weight in Abbeville: There, anyone wandering the streets after dark is liable to get a visit from Huggin’ Molly.

The stories about Huggin’ Molly comprise a fairly transparent effort to get children to behave. Still, I’ll be damned if they aren’t effective. Molly is said to tower in the shadows, almost seven feet tall, wide as a door, and dressed completely in black (either a shroud, a cloak, or a dress and wide-brimmed hat, depending on who you ask). She moves quickly, often too quickly for anyone to escape. And if she catches you–when she catches you–you learn how Huggin’ Molly got her name: She wraps her arms tight around you, presses herself close, opens her mouth wide next to your ear, and screams.

Herding children since the late 1800’s

When discussing Huggin’ Molly, many cite the story of Mack Gregory, an Abeville native who had a run-in with the monster when he was a teenager in the 1920’s. Mack worked for a grocery store at the time, and had just finished his final delivery as it was getting dark.  He was walking home when he sensed someone behind him. He turned and made out a figure following in the shadows: very tall, very wide, all dressed in black.

Mack walked faster, and the figure increased their pace to match. He slowed, and the figure, coy, slowed too. Knowing that he was unlikely to be able to outrun Molly entirely, Mack hurried at a jog until getting in sight of his front door, and then sprinted with all his might to get inside, slamming the door behind him.

When he looked back out again, Molly was gone. Her message, however, stuck around: From that point on, Mack refused to do another night delivery.

Free hugs sign
Well, I’m sold.

A similar story comes from the mother of another teenager who was out late. A sixth sense told her that he might be in danger, and she was compelled to run out to the porch. There, in the dim light of the night, she saw him hurrying up the way, a dark figure coming up fast on his heels. She screamed at her son to run, and held the door open until he could rush into the safety of the house.

In both cases, although the child got away, Molly still achieved her goal: She got their butts inside. Her legend was powerful enough to motivate not only the kids who actually saw her, but any who heard their stories.

Will the real Huggin’ Molly please stand up?

I love the Huggin’ Molly not only because she is odd and profoundly creepy, but also because at least at one time, she appears to have been based in reality.

Some say that Molly was never a ghost (contradicting what I had initially assumed), but a human with a supernatural talent for making people poop their pants. The original Molly might have been a mother distraught from the death of her only child, seeking comfort by forcing her love on other children. Another theory is that (especially given her size) she might actually have been a “he”–some grown man with an unusual interest in public safety, a cruel sense of humor, or both.

black-lady-creepy-ghost-980263
Stylin’.

There are at least three situations in which Molly was definitely a human. The first involves a disgruntled professor from the Southern Alabama Agricultural College, which used to be local to Abbeville. Students from out of town liked to go out and visit friends at night, roaming the streets and generally causing a ruckus. The professor hated that. He donned the Molly disguise to scare them back to their beds. It is quite possible that he was the original Molly, and the legend simply outgrew him.

Then there were the copycats. In Baton Rouge, a man capitalized on his Molly costume to chase after pretty young women and girls. In Headland (a couple of towns over from Abbeville), a Huggin’ Molly impersonator caused such a stir that the editor of the local newspaper had to post a strongly worded warning:

“Some unprincipled person is parading the streets of Headland at all hours of the night dressed as a ‘Woman in Black.’ It is frightening the women and children and causing our large number of dogs to be kicking up a racket at most any time of the night. I have been requested to notify the person or ‘Thing’ that it will be shot on sight by a certain husband and father whose wife and children were frightened out of their wits the other night. Somebody is likely to get ‘hurted’ if they don’t learn to behave themselves.”

No word on whether the announcement had any sort of effect.

Huggin’ Molly today

There are many who still remember the tales of Huggin’ Molly that they heard as kids–some who even might tell the same stories to their kids now.  Either way, her legend is still going strong.

The last time that Molly was seen (that I have found recorded) was in 2010 during the annual Yatta Abba Day, a celebration of the Abbeville’s heritage. A local teacher was leading a tour through the cemetery when a dark figure appeared between the headstones and stormed away, scaring the living daylights out of everyone present. It is unclear if this was just a publicity stunt; if it wasn’t, at least no one got hugged.

Molly’s legend doesn’t just survive through stories and sightings. One Abbeville resident has capitalized on her popularity to build a 50’s diner-style restaurant called “Huggin’ Molly’s.” Themed menu items feature “Molly’s Fingers” and “Come back sauce.” As one Youtube video says, it is “sure to give you goosebumps and leave your stomach screaming for more!”

If I am ever in that area, I am going out of my way to visit.

Do you enjoy hugs? What is the worst hug you have ever experienced? Share your horror stories in the comments below.

Image credits: Thank you to yoyoj3d1 on Flickr for the free hugs photo, Phillip Mullen on Pexel for the creepy street shot, and Archie Binamira (also on Pexel) for the ghost lady!

Quite the monkey on your back: the Myling

Happy (almost) Halloween! To best illustrate the topic of today’s post (and in the spirit of the season), let’s start off today’s post with. . .

A spooky story

full moon
OooooOOOOOOoooooh!

Late one fall night in Norway, some 300 years ago, a man (let’s call him Daniel) decided to take a shortcut through the woods. He was familiar with the path–the way was not long. He had spent all day in the next town over, and wanted nothing more than to wrap himself in a blanket in front of his own fireplace, and to sleep in his own bed.

The trees stood quietly as Daniel made his way down the path. Finding the soft noises of the night to be peaceful, almost soothing, Daniel paused for a moment to enjoy them.  

A dark shape jumped out at him from the corner of his eye. Daniel looked up.

A child stood in the middle of the path. It was a little girl, no more than two or three years old and badly underdressed for the cold. She sucked on one knuckle morosely.

Daniel started to take a step forward. “Are you alri–” he stopped. Something was wrong. Her skin tone was off–gray, patchy; her hair was limp and matted; her eyes were too large, too flat, as if she were–

Dead. Daniel’s stomach dropped; he tried to scramble away, but the girl moved faster. With fantastic agility, she leapt onto his back. Daniel screamed and struggled to get her off, but she clung on tightly, clammy arms wrapped around his throat so that he could barely breathe.

“Take me to a cemetery,” she whispered into his ear. “Please, a cemetery, please.”

Daniel bellowed, feeling like his eyes were straining out of this head. He stumbled a few steps forward. The girl’s grip tightened.

“Hurry,” she said.

The nearest cemetery was i the next town over–Daniel’s hometown. The trip should take no more than 30 minutes, less if he ran. Daniel saw no other way out. He started to run.

The trouble was that the girl was much heavier than she looked, and with every step, Daniel swore that she was getting heavier. Though he was an agile young man, it wasn’t long before he was sagging under her weight. Daniel panted, and then wheezed. Still, he pressed forward.

Then his left foot sunk deep into the cold, muddy earth, and he nearly toppled over. The girl’s weight was literally driving him into the ground. Heart richoteing off his ribcage, Daniel pulled his foot out and lumbered forward. If he stopped, he was worried that the ground might swallow him entirely.

The trees were getting thinner now–he could see patches of the field by the church in the pre-dawn light. The church and its cemetery were right at the edge of town. He could make it. He had to.

But now every step sunk him deeper into the earth. Daniel cursed as he struggled to pull free his feet, then his ankles, then up to his knees.

They came out of the trees, into the field. A lone bird began to sing as the sky slowly brightened. Headstones loomed up ahead. They were so close. The girl’s arms tightened around his throat. She weighed as much as another man, as a horse, as a–Daniel’s ankle twisted, and the incredible weight on his back made something snap.

Daniel screamed, black dots crowding his view of the headstones and grass.

“Hurry,” the girl whispered.

“Hold on,” Daniel sobbed. “Please, I just need a minute–”

Light shined over the curve of the hill–the first rays of the sun.

“Too late,” the girl said. She gripped the sides of Daniel’s head and twisted. Daniel heard a pop, and the sun went out.

graveyard with sun

What in the Sam Hill?

We have Scandinavian folklore to thank for this one. A Myling is the vengeful spirit of an unbaptized or abandoned child that seeks to be buried on consecrated ground. Many encounters look like the one in our Spooky Story–Mylings latch on to unwary travelers and demand passage to a graveyard before sunrise, or else. Other stories feature them haunting the homes of their mothers, leaving behind bloodied corpses, and otherwise seeking revenge on those fortunate enough to have parents that kept them.

In all cases, the Myling is roughly the same age as it was when it was abandoned, and appears not nearly as decomposed as it should. It is often very large, very heavy, or both, and only gets heavier as you attempt to get it to consecrated land.* If by some miracle you succeed, it will leave you alone.

Otherwise, you can kiss your head (or innards, or whatever) goodbye.

GuiltTM

The Myling are born from a practice that no one wants to talk about. Back in the day (and still in some places today), if a woman had a child out of wedlock, she could be faced with severe punishment, even death. (No word on any punishment for the man who made up the other half of the equation.) As such, incriminating babies were sometimes left out in the cold. Ditto for children born to families who didn’t have the resources to feed them.

In both cases, burials in Christian cemeteries were out of the question–not only could they be expensive, but to have a funeral, you would have to be willing to explain how your child died in the first place. Yet without a proper baptism or burial, the unwanted child’s soul could never be at rest. Hence, Mylings.

Ugly practices beget ugly monsters. A lot of angry spirit myths are born out of shame and tragedy, and this is no exception. Out of all of the Scandinavian ghosts, the Myling is said to be the most malevolent. Only they are willing to finish the business that the living are too cowardly to tie off.

On a less heavy note, you’re welcome for trotting out the creepy child trope.

creepy child
Yippee!

Happy Halloween!

When running to the nearest cemetery with a malevolent child ghost on your back, what is your first choice for footwear? Is arch or ankle support more important? What kind of tread works best for off-roading? Share your thoughts in the comments below.

Special Message: Happy 50th, everybody!

In addition to being 2018’s Halloween post, this is our 50th post to this site overall. I think that merits some kind of celebration. Monster Meet is what I like to call a (Very) Slow Blog, but it has been a pleasure to return to these three years. I appreciate those of you who have stuck with it throughout. Here’s to the next 50 posts (which at this rate we’ll celebrate sometime in 2023…HAHAHAHA)!

*And good luck if you don’t know where the nearest cemetery is. Is there an app for that?

PHOTO CREDIT: All thanks to Wikimedia Commons! Moon by Katsiaryna Naliuka; Graveyard by Parrot of Doom; Creepy child by psyberartist. Thanks, all! Long live Creative Commons!

Code brown: the Lady of Raynham Hall

When I was about 5 years old, my family squeezed into a minivan and took a trip through the English countryside. I have a lot of scattered memories from that vacation, among them mist, cobblestones, and seeing this picture on the back of some tourism brochure and being scared sh*tless by it.

Raynham_Hall_ghost_photograph

I never knew the story behind the photo–to be honest, had forgotten about it entirely–I until this week, when happened upon it again by chance. I knew then that I was fated to write this blog post.

The photo’s subject is a spirit called the Brown Lady of Raynham Hall, so named for her customary 18th-century brown brocade dress. It’s not surprising that I stumbled across her (I’m embarrassed I haven’t covered her already); her photo is among the most famous paranormal images in the world.  

lady_dorothy_walpole
Dorothy in life.

Let’s start at the beginning. Our most fearsome lady is reported to be Dorothy Walpole (1686-1726), sister of the first Prime Minister of England and 13th child of a Whig member of Parliament. Dorothy fell madly love with one Lord Charles Townshend, who loved her in return. But when Dorothy asked her father for permission to wed, he refused, fearing that people would assume he had arranged the marriage for his own monetary gain. So Lord Townshend went off to marry someone else, leaving Dorothy alone.

Lord Wharton
The notorious rake, apparently.

Enter Lord Thomas Wharton, a politician and rake “void of moral or religious principles.” It’s unclear if Dorothy actually had an affair with Wharton, or if their relationship was nothing more than a mild flirtation. It’s possible that she went for it–after all, she’d lost the man she loved and Wharton was a smart, charming dude willing to comfort her. But Wharton was married and kind of a douchebag, and theirs could not have been a long-term thing.

Then Lord Townshend’s wife died, and suddenly he was available again. He hadn’t heard about the business with Wharton, and asked Dorothy to marry him anew. Dorothy’s father was no longer around to get in the way, and she gladly accepted.

Now, I feel obligated to mention that contemporary sources–as well as recent documents uncovered by the descendents of the Townshends–indicate that the two’s 13 years of marriage were happy and normal. But if crime television has taught us anything, it’s that a cheerful facades can hide terrible secrets. According to legend, the Townshends had terrible secrets.

Lord Townshend, love of Dorothy’s life, was none too happy when he finally discovered that she’d hooked up with Wharty-poo (never mind that he himself had abandoned her to bang another woman). Some versions of the story go that she was still hooking up after she and Townshend had married, which would have been a bold move, considering her husband’s violent temper. However it went, Townshend took his revenge by locking Dorothy away, refusing to let her even see her children.

Eventually, she died. Officially, the cause was smallpox. Unofficially, people wondered if Townshend hadn’t pushed her down the stairs, or worse, if the funeral was a sham and he wanted her to die alone, shut up in Raynham Hall. Either way, no one would ever see Dorothy alive again.

raynham_hall_1937
Raynham Hall.

About a century later, one of Townshend’s descendants held a Christmas party at Dorothy’s old estate. As they headed to bed, two guests were surprised to see a woman standing at the end of the hall, wearing a very dated brown brocade dress. Before they could approach her, she faded out of sight.

They might have assumed that they had been seeing things. But then, the next day, one of them ran into the woman again, this time face-to-face. Her pale skin all but glowed in the dark, and her eyes had been replaced by dark, gaping holes.

When this story came out, several servants quit and abandoned the premises. The legend of the Brown Lady had begun.

There were, of course, detractors. One was author Frederick Marryat, who decided to stay in the haunted section of Raynham Hall to prove how bunk the ghost stories were. Here’s his daughter’s account of how that went:

…he took possession of the room in which the portrait of the apparition hung, and in which she had been often seen, and slept each night with a loaded revolver under his pillow. For two days, however, he saw nothing, and the third was to be the limit of his stay. On the third night, however, two young men (nephews of the baronet), knocked at his door as he was undressing to go to bed, and asked him to step over to their room (which was at the other end of the corridor), and give them his opinion on a new gun just arrived from London. My father was in his shirt and trousers, but as the hour was late, and everybody had retired to rest except themselves, he prepared to accompany them as he was. As they were leaving the room, he caught up his revolver, “in case you meet the Brown Lady,” he said, laughing. When the inspection of the gun was over, the young men in the same spirit declared they would accompany my father back again, “in case you meet the Brown Lady,” they repeated, laughing also. The three gentlemen therefore returned in company.

The corridor was long and dark, for the lights had been extinguished, but as they reached the middle of it, they saw the glimmer of a lamp coming towards them from the other end. “One of the ladies going to visit the nurseries,” whispered the young Townshends to my father. Now the bedroom doors in that corridor faced each other, and each room had a double door with a space between, as is the case in many old-fashioned houses. My father, as I have said, was in shirt and trousers only, and his native modesty made him feel uncomfortable, so he slipped within one of the outer doors (his friends following his example), in order to conceal himself until the lady should have passed by.

I have heard him describe how he watched her approaching nearer and nearer, through the chink of the door, until, as she was close enough for him to distinguish the colors and style of her costume, he recognised the figure as the facsimile of the portrait of “The Brown Lady”. He had his finger on the trigger of his revolver, and was about to demand it to stop and give the reason for its presence there, when the figure halted of its own accord before the door behind which he stood, and holding the lighted lamp she carried to her features, grinned in a malicious and diabolical manner at him. This act so infuriated my father, who was anything but lamb-like in disposition, that he sprang into the corridor with a bound, and discharged the revolver right in her face. The figure instantly disappeared – the figure at which for several minutes three men had been looking together – and the bullet passed through the outer door of the room on the opposite side of the corridor, and lodged in the panel of the inner one. My father never attempted again to interfere with “The Brown Lady of Raynham.”

candle_in_the_dark
Ambience!

And so it went. King George himself visited the property at one point, and woke up to find the lady standing over his bed, hair disheveled, eyes wild. He fled immediately, swearing to “not spend another hour in the accursed house, for tonight I have seen that which I hope to god I never see again.”

Now we come to the famous photograph. In September 1936,  London-based photographer Captain Hubert A. Provand visited Raynham Hall along with his assistant Indre Shira with the aim of capturing property photos for Country Life magazine. According to their account, they were setting up a photo of the stairway, Provand with his head under the camera’s fabric, when Shira spotted a vapoury form coming at them down the stairs. He cried at Provand to take the shot. The photo that resulted is the one that the world wonders at today.

Since then, the Lady has not been seen much. Doubt is back in style. People maintain that the Country Life photograph could be easily faked–that there is damning evidence of double exposure and maybe even prop placement with a Madonna statue. I could also point out that Marryat’s story was doubtless exaggerated–not only did Marryat write fiction himself, but his daughter (who wrote the passage I quoted above, which is often quoted by people telling the story of the Lady) also wrote sensational novels, in addition to being an ardent Spiritualist. Between the two of them, it would be hard not to embellish.

Still, Dorothy Walpole’s legend has a nice ring to it, and has survived the better part of 300 years. The current owner of Raynham does not believe the photo was a fake. When asked about his infamous relative, he simply replied: “She isn’t there to haunt the house but she is still there, I know she’s there and I’m glad she’s around.”

What’s the most terrifying thing you’ve ever taken a photo of? Share your story in the comments below.

All images–except that the candle–were pulled from Wikimedia Commons and are in the public domain. The candle photo is by Paolo Costa Baldi [CC BY-SA 3.0], also from Wikimedia Commons